This charming short puts the "art" in artificial intelligence.

What do you get when you combine the power of an AI machine that generates images, an elderly woman of 98 years of age named Lillian along with Harry Potter? The result is "HAIRYPOUTER A short-form film created by the director Chris Carboni. The film is a mix of increasingly fun AI-generated images and also a comment on the classic book written by a hilarious nonagenarian.

"Lillian is my maternal grandmother,"" claims Chris. "She and I have always enjoyed a strong connection, and I've been recording her reviews for about 10 years."

At the point that AI generators began to dominate the web around mid-2022, Chris saw the stars collide to form a new venture which could make use of his hours of audio and assist him in exploring the connections to this latest technology. "I had a lot of doubts about these devices, which is the reason I looked for an opportunity about the technology a bit more," explains Chris. "At this point, I was in a discussion with my mother-in-law who had just finished reading the Harry Potter series, which I purchased to celebrate her birthday. It was a gift."

The film was put together with a snap due to the speed of a team of "my grandmother and my wife and I along with our composer and sound designer together with the rest of the team" and the rest was (futuristic) the story of. The possibilities of AI are evolving in a rapid pace. talked to Chris Carboni to discuss everything that is related to artistic and AI.

The visuals of this clip is breathtaking. What tools did you employ to get the results?

Chris: Then we tried MidJourney at the time of its first version. The process began with recording Lillian's voice without editing as well as observing the outcomes that it produced based upon only the words of the interview. We were impressed by the style that it came up after just a couple or so rounds of creating fresh pictures. Therefore, I wrote down the hallmarks of its artistic direction that was or was based upon the picture was created.

The first picture that we received is Ron who was wafting his hair. He looked stunning. It was a kind of shoulders out and the guy clearly did not wear an outfit. He seemed like a goddess of the sea. And then when we had shots of Harry and Ron in a relationship they were almost embracing each other and we were like, "Oh, this is incredible."

It was left to the AI to come up with the intriguing theories, and the moment we saw one we loved We pushed the AI towards that path, so it could be constantly enjoyable and easy to follow.

Was it like applying AI to this real-life story?

Chris: At the time I made this film, I had some degree of anxiety about AI[artificial intelligence]. But I certainly enjoyed using it on this project. I believe that this is a great use-case for the project as using AI was vital to the overall story.

It was enjoyable, fascinating and unforgettable. The project was about the awkward but delightful connection between AI and human beings. This wasn't an instance where we chose to not spend a budget on illustrations and instead employ artificial intelligence instead. The story was one in which the use of artificial Intelligence was the foundation of the story.

Do you feel you are comfortable with AI being a part of the creative process?

Chris Chris: There's definitely something appealing about it, however it's also become more complicated since the generators have become so widespread. The potential of these generators has been uncovered and extended to many different applications. So, the topic is becoming more complex than I think like it used to be in relation to my own knowledge and opinions about the topic.

It seems that anyone working in the creative field must consider the consequences of this change on their job and be ready for the reality that the world is likely alter. As a result, there are opportunities to do amazing innovative things. But also the automation of some of the artwork that we love to create. That makes me a little unhappy, if I'm sincere. The fear is that art is going to be diminished, and made more commodified that it already is.

Do you think this technology could be used to assist you in the future?

Chris Chris: Well I am a huge lover of making use of AI to enhance my emails and to act as a personal assistant that is capable of answering inquiries, providing explanations for complicated concepts and managing repetitive chores. For creative tasks though, I'm not sure. This is definitely not my intent to employ the method in a manner to replace humans in my teams. The results aren't as great.

So much of what makes what we do great comes from collaborating with colleagues. The entire process from beginning to finish using AI depends on inputs generated by one's brain. Some cases may be okay However, generally speaking, productions are aided by a team of specialists who work together with each bringing their experience and innovative thoughts to the mix.

One of the best applications I've come up with are to generate preliminary concepts as well as kick off the creative process. Maybe for raising funding to pursue an idea or for displaying the initial concepts so that you can get an idea off the drawing board. However, for animation, there's the need for plenty in control of the details of a scene, both in terms of production and aesthetic motives. That level of control will likely be coming soon, but it's certainly not that far off.

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